In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic "theme," Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experien...(展开全部)

Fred Wallach had been shut away in a bare shed with no way out by window or door and yet he had disappeared. To David Mallin it was not an ideal case for their first as a partnership, but George Coe was enthusiastic. David quickly solved the mystery, revealilng the missing corpse. Unfortunately, he also uncovered another problem. The reaching of the end was a harrowing experien...(展开全部)

Fred Wallach had been shut away in a bare shed with no way out by window or door and yet he had disappeared. To David Mallin it was not an ideal case for their first as a partnership, but George Coe was enthusiastic. David quickly solved the mystery, revealilng the missing corpse. Unfortunately, he also uncovered another problem. The reaching of the end was a harrowing experien...(展开全部)

An account of Annie Ernaux’s love affair with journalist Marc Marie while she was undergoing treatment for cancer, and their combined project to document images and memories. Includes 14 color photographs by the authors. “These photos, in which the bodies are absent, and the eroticism is only represented by the abandoned clothes, were a reminder of my possible, permanent absenc...(展开全部)

First published in France in 2005, The Use of Photography recounts a passionate love affair between Ernaux and the journalist and author Marc Marie, after the two met in January 2003. Ernaux had been receiving intensive chemo for breast cancer during the prior three months, and had lost all her hair from the treatments. At the end of January she had surgery, followed by radiati...(展开全部)

Donald Kalsched explores the interior world of dream and fantasy images encountered in therapy with people who have suffered unbearable life experiences. He shows how, in an ironical twist of psychical life, the very images which are generated to defend the self can become malevolent and destructive, resulting in further trauma for the person. Why and how this happens are the q...(展开全部)

A collection of photographs from winners of the Wildlife Photographer of the Year competition. The Wildlife Photographer of the Year competition comes from two venerable institutions of the United Kingdom: the Natural History Museum and BBC Worldwide. For 49 years, this prestigious exhibition has drawn submissions from around the world. Being shortlisted is something to which n...(展开全部)

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing what she calls "the civil contract of photography," she gives an account of the power relations that sustain and make possible photographic meanings. Azoulay argues that anyone--even a stateless person--who addresses others through photographs or is addressed by phot...(展开全部)